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Sand. Properly to knead horses, Tais has turned on the way toThe north and, having passed nearby it, it was lifted on pass in a cross-section valley
Inflow of Euphrates. Clumsy sprawling oaks have surrounded a mossy portico with
Four columns, Ishtar Kutitum which have sheltered a statue from smooth The polished grey stone. Green-golden chrysolitic eyes shone
In a shade. Slightly with high cheek-bones Scythian person framed lowered on shoulders
Cut hair, stored contemptious expression.
In the heart of a portico behind a statue narrow pass conducted in a small cell,
Well shined with wide apertures under a roof. In a niche of east wall over The turned black wooden altar had been fixed a tile of the burnt clay with Very convex sculptural images. The bared goddess stood,
Closely having closed feet terminating in sharp-clawed owl's paws and having lifted on
Level of the person of a hand with the palms paid forward. In the left hand it is distinct
The cord knot has been modeled. Behind the back of the image owl's wings were lowered
To half of hips, plumage traces were seen over ankles.
The goddess stood on a back of a lion behind which one more lion reclined,
Head in other party, and on the parties tile lower corners took Huge owls, much more lions. On a bottom edge the scaly
Ledges symbolically meant a mountain range. All sculpture has been painted in
Bright colours: red for a body of the goddess, black - for lion's manes. In Plumage of its wings and owls black and red feathers alternated.
In it the body of the goddess straightened by a string, its terrible companions,
Awful paws and wings for Tais something has flown frightening, at once Disappeared in admiration of its corporal beauty. Harmonous strong feet, Very high hemispherical breasts similar to which Tais saw only on
It has been merged in the harmonious image complete of sensual force. The goddess was
Ashtoret-Ishtar, aggressive in the female power over animals is more seductive and
People, it Yards-kibely, are more mysterious than Artemis and Aphrodite.
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